Skip to main content

Rebecca Cypess

Convener and Editor

Rebecca-Cypess-Profile-Secondary-768x507

Women in music (women composers; women and the arts in the 18th century) Historical performance practices History of science and historical music technologies Music in Jewish cultures Music and the Enlightenment (in the circles of Benjamin Franklin and others)


Christopher Cartmill

Head of Dramaturgy

Dramaturgy Global perspectives on theatrical history, literature, practice, and aesthetic theory Theatre during the “Long Eighteenth Century” with a concentration in German, English and French performance practice Direction


Caroline Copeland

Assistant Adjunct Professor

Caroline Copeland is one of the leading specialists in Baroque dance and performance practice in the USA. Her extensive career has brought her to theatres, palaces, and universities across the United


Francesca Giannetti

Digital Humanities Librarian

I am the Digital Humanities Librarian at Rutgers University–New Brunswick, and subject liaison to the departments of Classics, French, and Italian, and the program in Comparative Literature. My research interests include


Julia Hamilton

Assistant Professor of Musicology

Dr. Julia Hamilton is a Visiting Assistant Professor of Musicology at Ithaca College. She teaches the Music History sequence as well as courses for non-majors, including “Rock Styles Since 1955.” She


Sonya Headlam

Soprano

Soprano Sonya Headlam performs music that spans centuries, from the Baroque era to the present. As a soloist, she has garnered acclaim on prestigious stages across the United States. Recent


Cameron Knight

Associate Professor and Coordinator of Rutgers’s acting program at Shakespeare’s Globe in London

Cameron Knight is an Actor/Director hailing from Flint, Michigan. He has performed on stage across America in such notable theaters as Milwaukee Repertory Theater, The Kennedy Center, and the Tony


Catherine Naeve

Graduate Student

Catherine is currently a doctoral student whose research focuses on the British Isles in the late seventeenth and early eighteenth-century, with an emphasis on state formation, immigration, citizenship and identity, and


Valerie Ramshur

Head of Costume Design and Assistant Professor of Professional Practice

Ramshur is a dress historian, project archivist, curator, and multi-disciplinary artist whose works embody the intersection of dress, identity, culture, and art. Ramshur is involved in researching, cataloguing, and presenting


Kieron Sargeant

Assistant Professor of Dance, Caribbean and Latinax Studies at Skidmore College

Hailing from Trinidad and Tobago, Kieron Dwayne Sargeant is an embodiment of African-Caribbean Diaspora traditions. An interdisciplinary artist, choreographer, drummer, and astute dance researcher. He is currently an Assistant Professor